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Parker Posey short bio

Parker Posey was born in Baltimore on November 8, 1968, Posey was named after '50s model and occational actress Suzy Parker. At the age of 12, she moved with her parents and twin brother to Laurel, MS, where her father owned a Chevrolet dealership. After attending the North Carolina School of the Arts, Posey enrolled at S.U.N.Y. Purchase, where she studied acting and roomed with future ER doctor Sherry Stringfield. She dropped out just three weeks before graduation when opportunity came knocking in the form of a role on As the World Turns. As bad girl Tess Shelby, Posey stayed with the show from 1991 until 1992. The following year, Posey crossed over to celluloid with roles in three movies. Two of these, The Coneheads and Joey Breaker, featured the actress as little more than a glorified extra, but the third, Linklater's Dazed and Confused, allowed Posey to make a distinct impression. As cheerleader Darla, she used her relatively brief screen time to display the nastier side of teen popularity. She played a similar character the same year on the small screen, taking a memorable turn as ex-pep queen turned good-time girl Connie Bradshaw in PBS' Tales of the City (she would later reprise the role for More Tales of the City in 1998). Following secondary to miniscule parts in films like Sleep With Me, Amateur, and Mixed Nuts (all 1994), Posey had her breakthrough role as the titular heroine of Daisy von Scherler Mayer's Party Girl in 1995. She caused an art-house sensation with her portrayal of Mary, a downtown diva forced to take a day job as a librarian and began to ascend the ranks of indie royalty. Appearances in Hal Hartley's Flirt, Gregg Araki's The Doom Generation, and Noah Baumbach's Kicking and Screaming the same year further enhanced her reputation. Posey's work over the next two years reads like a Sundance Film Festival program: in 1996, she could be seen as a Dairy Queen waitress in the ensemble-driven Waiting for Guffman, famed gallery owner Mary Boone in Basquiat, and Hope Davis' sister in The Daytrippers. In 1997, Posey starred in no less than five independent films, including Henry Fool, her third Hartley outing; the temps-in-hell comedy drama Clockwatchers; Linklater's adaptation of Eric Bogosian's SubUrbia; and The House of Yes. For this last film, Posey garnered particular acclaim as the film's fabulously demented focal point. She shined as a young woman obsessed with both Jackie Onassis and her own twin brother (Josh Hamilton). Her performance, which perfectly displayed the hyperkinetic comic energy and sardonic wit that came to characterize many of the actress' portrayals, won her a "special recognition for acting" at Sundance that year.